Showing posts with label Print books. Show all posts
Showing posts with label Print books. Show all posts

Tuesday, 22 December 2015

In DigitalIndia; Student will get All CBSE Books online without any charge

There is a big news for the more than 14 lacs students of class 10th and 12th lakh, as they are going to get their books without any charge. Some of the books are already available and now with the #DigitalIndia mission all books will now be available in coming days.

As per theAccording to Human Resource Development (HRD) minister Smriti Irani, NCERT has already made some of its books available online through its mobile app and e-books, and will look to add CBSE books, videos and other learning material. and All CBSE textbooks and other learning material will be made available online by the NCERT.

“We made NCERT books available online for free through e-books and mobile applications a month-and-a-half ago. We are similarly going to make CBSE books available online along with additional learning material and videos as part of our good governance efforts,” Irani said at the inauguration of a new building of the school in Khichripur.

This is a really big decision as digitalizations in the education field is really important as this may impact large number of people In rural India.

Government is also taking more people online with the partnership of state owned BSNL with Facebook to offer free WiFi


How you can get these Books ?

The National Council of Educational Research and Training (NCERT) currently offers copyrighted textbooks online for classes I to XII in Hindi, English and Urdu.


  • The online textbooks can be accessed from here
  • After that you need to select Class and Subject
  • The Title list is populated after selection of class and subject
  • When Title is selected the respective books is made available.

Digital India For Education



There are many updates in the field of education. These includes


  • HRD ministry has set up National Institutional Ranking Framework all educational institutes and universities will get rankings by April 2016
  • Government launches GIAN a government project to boost the higher education in India
  • In the month of November, Smriti Irani had announced  ‘e-Pathshala’ program. Besides desktop, these books would be now available on mobile based apps as well.
  • Khan Academy has also launched their India-centric website in Hindi, and made the content available in Hindi.


Source | http://www.bumblebeehub.com/2015/12/in-digitalindia-student-will-get-all-cbse-books-online-without-any-charge/

Sunday, 8 November 2015

'Libraries have to ask what people want to read'

A freewheeling conversation with the director of Bibliotheque Nationale de France



The changing educational, social and recreational role of the library is a hotly debated subject among planners and readers alike. On a visit to Delhi, Bruno Racine, director of Bibliotheque Nationale de France (National Library of France), explains to The Hindu how public libraries need to become more interactive spaces. France and India have signed an MoU for digitisation of old manuscripts in the National Library of France. India is working on a National Virtual Library with French support, and France will be seeking India’s assistance to decipher its collection in Sanskrit and Tamil. There is a possibility that all these will be made a part of the joint digital collection.
Excerpts from the interview with Mr. Racine:

Excluding research scholars, far fewer people are visiting libraries today. What is the French experience?

I have to say, the trend is downwards. But we have to make a distinction between those who read online and the ones who come to the reading room. The libraries have not emptied out. Students do come here; I suppose they like to work from here. They may not borrow books, but libraries offer a quiet place and a friendly environment for the young. To address the young, public libraries have to offer services that correspond to their aspirations and give them rooms where they don’t have to whisper and can work together. We have five million items online, excluding copyright material, and our experience shows that people tend to use online resources and confine their visits to the library for a specific enquiry. So, the answer to your question is, the number of books being consulted and the number of physical readers has decreased slightly because more and more people have moved online. 

What is the role of a public library as a public space today?

In France, public libraries are city libraries. There are two state-funded public libraries, one at the Centre Georges Pompidou, and the other which I head. I don’t have recent figures, but I think globally the trend is of fewer people coming to libraries. A lot depends on local factors prevailing in a city. If a city opens a new modern library with reading services, it can become popular. If you go to an opera, it is not cheap. Museums are not free. In France, the policy has been to orient the library to the public. The traditional librarian thinks that if the books are good for the public, they will come. This is not the way it happens now. Libraries have become more interactive now. Libraries have to understand what the public wants. Librarians have to ask people what they want to read. 

How does the public funding of libraries work in France?

The library is completely funded by the government. We had to raise money on our own for heritage acquisition, where the access to the public is not free. Ninety five per cent of the budget of the National Library is funded by the Ministry of Culture. This has always been the case, which is quite different from museums in France, which have millions of visitors and can rest a little less on government money. We have about one million visitors each year to the library. The digital library gets 15 million visitors and is growing very fast. The library in France is a very old institution whose origins can be traced back to the 14th century, the time around which kings built their library of books, which became a permanent institution at the beginning of the 18th century. The practice of acquiring books was established in the 16th century, structured in a very systematic way at the beginning of the 19th century. Whenever a book is printed, it could be audiovisual records too, it has to be deposited at the library as well. Until a few years ago, the publisher had to deposit four books with the library. Now we have simplified the process, as we don’t have the space. We ask for only one copy by the publisher. There is a law since 2006 that gives us the mission of archiving books. The paradox is, when they are online they are free; once they are in our collection, you require authorisation to access them. 

What kinds of readers visit your library?

We have two kinds of readers. We have a public library which youngsters, young students and college students visit, for which the fee is very nominal. I have proposed to the government to make it free. On the other hand, for the digital library, we get an annual grant for digitisation of printed material and journals, which allows us to digitise 10 million pages every year. We get six million euros a year which is quite significant. 

What brings you to India? What are your plans?

Digitisation knows no boundaries. We are interested in countries that are looking at digitisation, and we are trying to understand their priorities. We have an Indian collection which we can share. If we want to have a single digital portal, for instance, for France and India, which is what I would like to discuss, our formats have to be compatible. Exchange of information is always useful, in particular in the area of long-term preservation, which is a big issue for digitised heritage. Another area I am looking forward to is cultural cooperation, because in France, we are interested in Indian collections because of our shared history. Since we know that India is working on a national digital library, we have some material which could be of some interest, which would require expertise from India for cataloguing it. We have 2,500 miniature paintings, and paintings which are not the most beautiful in the world but interesting, and over 1,800 manuscripts in Sanskrit and Prakrit in our collection and over 1,000 manuscripts, in diverse Indian languages, which we refer to as the Indian collection. 

How should the state go about funding public libraries? What should be the terms of engagement?

There are over 2,500 public libraries in France. The majority of them are run by professional librarians. Every few years, a contract is drawn between the government and the libraries, which defines goals and measures performance. Libraries are cultural institutions and they have to conduct their policy within a clearly established framework drawn between the government and the libraries. 

Source | The Hindu | 8 November 2015

Tuesday, 14 July 2015

Today's librarians more than keepers of books



Michele Lind doesn’t fit the image of the librarian sitting behind her circulation desk muttering “Shhhh!” every few minutes.

In fact, she says she would be thrilled — not embarrassed — if her principal walked in while kids’ chatter filled the library.

“My philosophy on quiet has changed,” said the library media specialist, who works at Roosevelt and Lewis and Clark elementary schools in Mandan. “I don’t want it to be wild and crazy and out of control, but I want it to be a little noisy.”

So do a growing number of school library heads who no longer see their sole purpose as keepers of books. They increasingly provide activities to prompt kids' imaginations and collaborate with teachers to integrate technology into the classroom.

The shift from old-school librarian to present-day library media specialist has occurred gradually over the past two decades. Still, local library media specialists find themselves debunking myths about their jobs.

Lind, for one, can see why people might question sending her students on a geocaching expedition. With GPS devices in hand, they searched their schools last year for hidden treasure.

“We are teaching them how to use technology,” she said. “We are teaching them how to apply latitude and longitude. They learn those concepts, but they are so foreign to them.”

Makerspaces

In some ways, children’s weekly visits to the library mimic those of their parents and grandparents. In Mandan and Bismarck public schools, they still check out books and listen to a library media specialist or an assistant read aloud.

“When I started, we were the study hall,” said State Librarian Mary Soucie, who worked in school libraries in the 1990s. “That’s where kids went when they were being disciplined.”

Some students today also spend their recess in the library, Lind said.

The difference? They come because they love “makerspaces,” which are designated areas within a library for kids to create anything from robotics to bookmarks.

The spaces popped up in school libraries throughout the country over the past several years, including in Bismarck and Mandan.
Library media specialists provide the supplies, then let the kids do the rest. Lind split classes into teams last year and gave each 100 red Solo cups. Each group had to come up with a way to stack the cups to ensure the structure would stand.

“I don’t think kids have time to play anymore,” Lind said. “A lot of them are on devices and computers. They forget about playing and creating.”

Misti Werle started a popular makerspaces club last year at Solheim Elementary School in Bismarck. The library media specialist, who earlier this month became the districtwide library media systems innovator for Bismarck Public Schools, regularly oversaw 25 kids who packed her library for weekly meetings after school.

“I had to turn kids away,” she said.

Collaborating with teachers

Blogs, Twitter chats, conferences and school library journals keep library media specialists up to speed on the newest tools available to enhance teaching.

The challenge is finding teachers who want to collaborate, Werle said.

“Often times, they don’t know what you can do for them,” she said.

The way she describes it, library media specialists have to advertise.

Lind knows what that's like. She researches what teachers at her schools are doing so she can devise ways to support them.

One tool she wants to try is Glogster, which she describes as a computer posterboard that can embed pictures, video and text.

“We are still trying to get that up and going,” Lind said. “It takes persistence and one teacher to set the example.”

She found some success last year teaching students email. She showed all her schools' third-, fourth- and fifth-graders how to compose and send an email, requiring them to use proper capitalization and punctuation. Every student messaged her, and she responded to each one.

One of the Lewis and Clark teachers then integrated that lesson into her class. Instead of turning in a sheet of paper with answers to questions, that teacher asked her students to email their responses to the assignment.

Split time

Lind sees the email lesson as a start to more collaboration. Part of the problem, she said, is that she’s split between two schools. She’s not always present when it’s convenient for a teacher to work with her.

That’s the case for library media specialists in Bismarck, too, which has 19 specialists split between 24 schools. Many work at two Bismarck schools, though there are several assigned to three, Werle said.

Kirsten Baesler was the librarian at five elementary schools when she started working for Bismarck Public Schools in 1989. Before she was elected state superintendent in 2012, she served dual roles at Saxvik Elementary School: assistant principal and library media specialist.

“My time as a library media specialist was the best training ground to know my responsibilities as a state superintendent,” she said. “It was absolutely essential for one to know all the standards on all the subjects for all the grade levels.”

Navigating resources

In doing so, Baesler could work better to assist teachers with classroom projects. As a young librarian, she frequently scoured the shelves and borrowed books from neighboring libraries to supply kids with an adequate amount of research materials.

“My big challenge was to make sure there were enough resources available to our students,” she said.

That changed by the time she was elected state superintendent. She taught kids to sort through the plethora of information available online, discerning reliable sources such as .gov sites from Wikipedia articles.

“There are people who say libraries aren’t relevant anymore,” said Werle, explaining that kids’ first instinct is often to turn to Google.

Students will probably find higher-quality sources in databases, which can quickly sort through articles with the search of a keyword, she said.

The State Library at the Capitol grounds in Bismarck pays more than $270,000 each year for databases, including Encyclopedia Britannica, and makes them available to school districts, Soucie said.

Werle said Bismarck Public Schools alone could not afford all those subscriptions.

“Libraries have and always will be about making connections,” Soucie said. “We’re just using different tools to do that now.”

 

Monday, 13 July 2015

The paper tiger roars :Print and Digital

Notebooks are in vogue. And no, we are not talking about the digital computing device here.


Did someone say notebooks, the ones that are crafted from paper, would die a slow, but sure death? That their fate would be similar to audio tapes, camera-film rolls and other such categories that had suffered a similar fate in the past? As even schools began to use digital devices to educate children, many had said that it was only a matter of time that the sword of Damocles hanging over the category fell.

In India, well before tablets and smartphones began to rule, the general expectation was that the stationery market, and specifically notebooks, did not offer much to write home about. Traditionally the stationery market in the country was an unorganised one. From small retailers to independent sellers, many depended on Chinese imports. But if recent market reports are to be believed, paper has found a new status in the digital age and market experts believe stationery is a segment of promise. What has changed and how did notebooks make themselves relevant in the digital age?

Writing on the wall

The growth of notebooks over the last few years, from a humble Rs. 6 for a book to a premium product that can cost as much as Rs. 1,000, demonstrates that along with challenges there are also several opportunities.

In the notebook category, brands such as Navneet, Bluebird and ITC have had a significant say in how the market has moved over the last decade. Last year Japanese stationery major Shachihata Inc announced a large investment in India.

A few years before that, the Kokuyo Group entered this market after purchasing majority shares in Camlin, a well known stationery manufacturer in India.

ITC’s Classmate notebooks, which target the educational segment, have had several sales highs over the years. The notebooks business of the tobacco-to-hotels conglomerate is now ten years old. One of ITC’s advantages was that its notebooks business could rely on its existing value chains of production – the company has a large paper business division-- to “create a new engine for growth”.

Chand Das, Chief Executive, Education and Stationery Products, ITC says, “The branded component of the market in India when we kicked off was about 6-7 per cent. Today it’s about 35 per cent.” ITC claims to have a 20 per cent share of the organised market.

“Notebooks, especially of the Classmate kind, are a seasonal category. That back-to-school period of May and June are good for us. In about six months, we manage about 75 per cent of our total sales across the country, with the rest of the year catering for top-up demand,” explains ITC’s Chand Das.

Taking notes online

Even online players like Flipkart and Amazon have a significant interest in the category. Flipkart, for instance, claims to stock 10,000 SKUs of notebooks.

An Amazon India spokesperson says that notebooks and diaries account for substantial sales in the stationery category. Online purchasing behaviour in notebooks is more prevalent in premium notebooks like BILT and Paperkraft than in the mass range of notebooks which account for approximately 50 per cent of the market. For Flipkart too, diaries and notebooks are “key traffic drivers which contribute to about 15 per cent of the total stationary segment.” Ankit Nagori, Chief Business Officer, Flipkart, says, “Fuelled by a growing economy, a burgeoning middle-class, and higher literacy levels, the notebook market in India is expanding at a fast rate. With capital being invested in the book and education industries, this sector is going to be the ground for experimentation and innovation in the coming years.”

Das of ITC says, “Our premium products are stocked first with our e-commerce partners. Those strong partnerships help our overall business in notebooks.”

“Industry growth is driven by increasing literacy and enhanced scale of initiatives in the education sector. But there’s also the shift from inexpensive products to quality products.” Flipkart’s Nagori says, “Among the technology-savvy generation, a small percentage of our users have shifted to digital mediums like laptops, smartphones and tablets. Despite this, a majority of customers prefer a notebook. We have close to 10,000 products under this category. With customised diaries seeing takers across age groups too, we believe that product innovation in this category can further add to the ‘collectible’ value of notebooks.”

ITC too has over 200 premium products. While the average price of a Classmate is Rs. 30, its premium notebooks cost a lot more.

Write is might

Even for the brick-and-mortar bookstores that take the burden of heavy rentals in urban centres across India, notebooks make serious business sense. Competition among bookstore brands means the clear demand for notebooks and related stationery products has to be met.
“Stationery is the second-best selling category across all our retail stores. It makes up about 30 per cent of our total revenue. “About 10 per cent of our revenue is generated from notebooks alone. We sell notebooks from as low asRs. 6 and it can go up to Rs. 1,000 or more. The organised notebook market in India is about Rs. 5,000 crore, which is about 20 per cent of the entire stationery business in our country,” says Darshit Shah, Vice President – Product, Sapna Book House.

Store 67 is a premium stationery brand from Sapna Book House. Shah says, “We have seen an increase of 15-20 per cent year on year in our notebook business. In India from 2009 till 2012 stationery business has grown at over 30 per year every year.

In the coming months to a couple of years, there’s likely to be added interest from foreign brands for a share of the notebook and stationery pie. Already, Relay, a book press and traveller convenience brand, is making inroads in India. Airport lounges across India may prove to be an added point of traction for premium notebook brands. Going by the scale of demand and the range of offerings here, the notebook is nowhere near extinction.

To allay fears that notebooks are not good for the environment or that they play havoc with corporate sustainability missions, ITC has spotted an opportunity. It sees the notebooks business as an opportunity to showcase sustainability across the chain of production. The company’s R & D reportedly helps it consume fewer trees and water in its production of Classmate.

A simplistic interpretation means there may be enough resources for a longer period of time and therefore notebooks and paper-based businesses will endure for years to come.



Paper has found a new status in the digital age and stationery is a segment of promise.
Source | Business Line | 10 July 2015

Saturday, 11 April 2015

Libraries serve traditional, technology-driven roles

In today’s information-rich world, knowledge is literally at our fingertips. With a few keystrokes into a smartphone or computer, we’re inundated with Google results — ideas, opinions, and so-called “facts.” Author Neil Gaiman once said, “Google can bring you back 100,000 answers. A librarian can bring you back the right one.”

Librarians are trained to listen to users’ needs and to connect them with specific information, resources or services. Librarianship is about human interaction and that can mean at the reference desk, through one-on-one instruction, storytelling or teaching a computer session.

Librarians and staff are key players in helping the community integrate technology into their lives. Librarians help people with the e-book readers, show them how to navigate online job applications and government forms, teach students how to create videos and use multimedia, teach grandparents how to Skype with faraway family, assist people with handheld devices, access digital content, perform genealogy research yet still place emphasis on developing young readers.

Librarians and staff are digitizing collections and preserving local and family histories. They answer questions via chat reference services; they use social media to connect with their communities and teach others to use social media. Librarians help people gain information to deal with shifts in the workplace and the economy. Meanwhile, people still count on librarians for suggestions on great reads or the latest books.

R. David Lankes in “The Atlas of New Librarianship” says that the mission of today’s librarians is to “improve society through facilitating knowledge creation in their communities.” He describes a new librarianship based on knowledge, learning and conversation.

Re-engage at your library today. Librarians and staff are serving thousands of Hoosiers in schools, public libraries, colleges, universities and special libraries. And they also look outside of their buildings to identify community experts for programming needs as they seek to enrich and restore conversations in their communities.
In 2013, there were just under 37 million visits to Indiana’s public libraries. Public and school library directors have shown tremendous resourcefulness in serving their communities on tighter and tighter budgets.

With strong community support and continued leadership, Indiana’s libraries will remain vital, welcoming institutions for information, democratic discussions and lifelong learning.


Friday, 10 April 2015

The Best E-Book Service: Oyster Vs. Scribd Vs. Kindle Store Vs. iBooks



There is nothing better than the antique smell of a book and the feel of pages turning under your fingertips. But thanks to tablets, we can now carry around a virtual library with us — any book we own is accessible in just a few taps and swipes.

There are pros and cons on both sides of the paper vs. e-book debate, but let's face it — e-books are easy to read, as tablets offer brightness adjustments, zooming and letter resizing.

They're more convenient than lugging around a 700-page novel and are more environmentally friendly because you're saving trees!
There are a few popular tablets selling themselves as readers – such as Amazon's Kindle or Barnes and Noble's Nook – though any smartphone or tablet can be used as an e-reader. But when it comes to buying e-books, what's the best service?
Let's take a look at how Oyster stacks up against Scribd, Kindle Store and iBooks.
Oyster

Oyster, commonly called the "Netflix for books," announced on Wednesday, April 8, that it's launching an e-book store. That means users will be able to own the books they read instead of just renting them as part of Oyster's monthly subscription.

Those who subscribe to Oyster Unlimited for $9.95 a month will have access to over a million titles to rent from the virtual library — which include new releases, daily deals and classics. Users will however have to buy any books they want to read that aren't available as part of the subscription, on top of the monthly fee.

Oyster offers recommendations based on the types of books you like to read, as well as book reviews from a high-profile editorial team. Among others, the service provides books published by Hachette and Penguin Random House — who are both supporting Oyster after refusing to participate in the subscription business model.

Those who use Oyster can download their e-books through the app available on Apple's iPhone or iPads, Android smartphones, Amazon's Kindle Fire, Barnes and Noble's Nook HD, as well as the web — making it a service for just about anyone with a smartphone or tablet.
Those who buy books on the web can see them at oysterbooks.com when they sign in. In case of cancellation, a user can still keep the purchased books, accessing them on the Oyster app. This feature makes Oyster ideal for a bookworm who wants to try out a subscription service, but might cancel after a month or two.
Scribd

Scribd started as a popular document-sharing service and expanded in 2013 to include an e-book subscription service. It costs users $8.99 a month for an unlimited subscription, which is available on iOS, Android, and for the desktop — giving tablet and smartphone owners another "Netlfix for books" option.

In 2014, the service added audiobooks to its virtual library with Grammy award-winning narrators, and in February of this year, Scribd signed a deal with big comic book publishers like Marvel, Valiant and Archie Comics to provide more than 10,000 titles in a comic book section — a feature that sets this subscription service apart from the others. So if you are a huge comic book fan, this service is the right one for you.

Editors and algorithms also help recommend books based on the titles read, and there is no limit to number of titles downloaded at the less-than-$10 monthly fee.
Kindle Store

Amazon's Kindle Store offers users a subscription option as well as a traditional e-store. For $9.99, Kindle Unlimited gives the user access to more than 700,000 titles and thousands of audiobooks available to download on any device, such as the Kindle Fire HDX, iOS devices or Android smartphones and tablets with the free Kindle app.

The service uses Whispersync for Voice, which allows you to switch from reading your book to listening to it — all without losing your place.

The Kindle Store also offers the ability to purchase e-books without the subscription, offering best sellers and book deals. The popular Amazon vs. Hachette feud has however made some books from the publishing house unavailable for purchase.
Author James Patterson is strongly against Amazon, which is the primary seller of e-books in the U.S., and authors like J.K. Rowling are reluctant. So if you want to support a favorite author who is publicly against Amazon, the Kindle Store may not be for you.
Amazon also has a Kindle First program, where uses can read next month's new releases now — another cool feature for book lovers who want to read the latest and greatest before anyone else. Users can read one of the four Editors' Picks on a Kindle device or on any device through the app for $1.99, but Prime users get it for free.
iBooks

Apple's iBooks allows iOS users to read books on their iPhone, iPad, iPod touch or Mac, offering everything from classics to best sellers. The iBook store offers more than 2.5 million books. Some are free, while others will cost you. There is no subscription service option for iBooks, making this the option for people who are light readers and don't want to pay for a service they won't use often.

If a book – such as a textbook – is updated, the app will give you the option to download the updated version of the book for free, replacing the old one — a feature the others don't offer.

There's also a Multi-Touch option on some books, which allows you to swipe through a photo gallery and rotate a 3D object with your finger, as well as bringing animation to life and accessing audio commentary. These books include textbooks and volumes found in the Food and Cooking, Travel, and Arts and Entertainment categories.

All of your books can be stored on iCloud, so you can read them on multiple Apple devices once you tap to download it. This makes iBooks the choice for the person who wants to read over the phone on the way to work and on the iPad in bed at night.

If you're reading in low light, iBooks automatically switches the text to white on a black background, making it easy to read — a feature you would have to manually adjust on non-Apple devices. There is also the ability to share quotes via message, mail, Facebook or Twitter — right from the page.

Users can also keep PDF files in iBooks so all their guides and proposals are easy to access in one place. Though only some books are free, there is an option to download book samples so you can read a section before committing to the purchase.

There are ups and downs to every e-book service, with some features that make each stand out against the pack. The right option for you depends on how often you read and if you want to pay one monthly fee for a large library, or pay by the book for the ones you really want.

Source | http://www.techtimes.com

Thursday, 12 March 2015

Even in the Internet age, good research needs a good library

When the foundation stone for the Prince of Wales Museum, now the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), was laid on November 11, 1905, by the Prince of Wales (later King George V), it also marked the beginnings of the library that became an integral part when the museum was thrown open on January 10, 1922.


One of the oldest reference libraries in the country, the library at CSMVS has managed to remain the primary source of information for archaeologists, historians, artists, heritage conservationists and students, despite the onslaught of the Internet and social media, say officials at the museum.

“This is a reference library where researchers and scholars can find all important reference books and latest publications on art, history, archeology, heritage and culture,” said S Mukherjee, director, CSMVS.

“Since we are a reference library, noted scholars and researchers access the library for primary information. We also get students from various colleges, including our own students of Post Graduate Diploma in Museology,” he added.
What started off as a modest library with around 5,000 books has now grown into a rich collection of over 30,000 books and 5000 periodicals and journals.

There is a massive collection of 200 rare books and manuscripts and these can be accessed only with special permission. The oldest among these include ‘Travels in India During the Years 1760, 1781, 1782, 1783’ by William Hodges and ‘Jataka, Volume 4,5 6’ by V Fassball among others. While the pages in some of these books are worn out, the process of restoring them is currently underway.

The library, is divided into two primary sections.

The first floor stores journals, which includes Marg, Artibus Asia, Annals of Bhandarkar, Journal of Bombay Asiatic Society, Islamic Culture, Journal of Indian Museums, Indian Journal of History of Science, Epigraphia Indica, The Indian Antiquary, Rooplekha, Rupam, National Geographic and Oriental Art.

The floor also houses the rare books that are stored carefully.

The ground floor, which includes computer facilities and reading tables, has books segregated into dedicated sections covering paintings, Ancient History, Archaeology, Geography, Sanskrit literature, Indian Civilisation, Zoology, Mahabharata and Ramayana, Mughal period, British period, customs, language and folklore, Sociology, Economics, Hinduism, Vedic religion, Buddhism, Jainism, Mythology, Religion and Philosophy, Library Science, Textiles and Handicrafts, pottery, terracotta and jewellery, coins, sculptures, temple architecture, Indian, Western and Mughal Art.
While the library was refurbished in 2013 with the help of funds from the Kala Ghoda Association, it is currently engaged in digitisation of its collection.

“I started using the library since I was studying for my BA in history in 2012. I am currently pursuing my masters in history and I am simultaneously pursuing my PG diploma from the museum. I am working on my dissertation on museum exhibition and this library is a one-stop information platform,”said Ajay Salunkhe, a student.

Sofiya Karanjia, who teaches art and design at Rachana Sansad, is another regular. “It is not an ordinary library and has a huge resource in art and culture from the beginning of the 20th century.”

The museum staff consider the library as “a robust back-end resource”. The curatorial staff consult the source material for writing books, catalogues, guide books and research papers. “

“It is an integral part of the museum as we need research and references for our collections. We need to refer to the books here constantly so that we can effectively communicate about the collection to our visitor”,” said Bilwa Kulkarni, education officer, CSMVS.

Even in the Internet age when information is readily available by entering the correct terms in a search engine, the library is quite popular among its users.

“The Internet and social media revolution has a discernible impact on physically accessing books, youngsters want to take shortcuts which is definitely a cause for concern. However, it is heartening to see that people still do come to the library,” said Mukherjee.

Source | Indian Express | 11 March 2015

Thursday, 5 February 2015

Paper Books Will Never Die

After eight years of writing about past visions of the future, I've learned to never make predictions of my own. Nobody knows what the future holds, so unless you want punk ass kids featuring your dumb ass predictions on some smarmy ass blog called PaleoFutureFuture or some shit in the year 2065, it's best to keep those things to yourself. But I'm about to break my own rule because I'm just so damn confident in my prediction: Paper books will never completely disappear.


Okay, I'm going to almost immediately hedge and say that I can't get behind the concept of "never." Never is a long time. So for lack of a better way to measure, how about we call it within your grandkids' lifetime? Because after your grandkids are dead nobody you know or care about will still be alive. That puts us at about a century out. And since I've got maybe 30 or 40 good years left on this planet if I'm lucky, a century is basically forever for me.

So how can I be confident that paper books are going to be with us for a long time to come? First of all, because they're lovely and I refuse to believe they'll ever disappear. But also because paper books are still a fantastic and irreplaceable piece of technology. 

College students overwhelmingly prefer deadtrees to e-textbooks. In a recent survey, a whopping 92 percent said that paper books allowed them to concentrate better. And it's easy to see why! Your deadtree Chemistry book doesn't have the siren song of Twitter or Facebook calling you from the digital rocks.

Believe it or not, paper book sales have made a modest comeback in the past year. Ebooks are mainstream. But paper books have too many benefits to simply die out anytime soon. 

Paper books aren't hindered by DRM or evolving media storage standards* or a need for electricity that'll turn your Kindle into a nice paperweight when that nuclear EMP blast finally hits and we're all bringing our kids to the burned out husk of a library to show them what the Before Times were like. Paper books sit on the shelf and mind their own fucking business like they should.

Even short of the more apocalyptic scenarios one can dream up, paper books still serve a purpose and will for the foreseeable future. And anyone who disagrees is almost certainly buying into myths about tech adoption that have poisoned the national discourse about progress for far too long.

It's so easy to think of technological media progress in linear terms. As I mentioned in my post earlier this week about the long forgotten experiments of radio faxpapers, the popular narrative goes something like this: First there were newspapers, then radio made them obsolete, then TV made radio obsolete, and then the web made TV obsolete. This is generally how we prefer to understand the evolution of mass media. But, of course, it's dead wrong.

We still have newspapers, radio, and TV. But with the emergence of each new technology, those older modes were forced to adapt-to refocus on the features that new technologies couldn't offer. It happened for newspapers, radio, and TV, and it's happening for books printed on paper and bound together. That's not to say that ebooks aren't superior in some ways. Rather, that one mode of technology has sharpened the utility of another.

"In the future no book will ever be out of circulation," Nathaniel Lande, a New York publishing consultant, told the New York Times in 1991. Which is a fantastic dream, and a great reason to embrace ebooks. The cost of distribution for electronic media borders on nothing. And digitization will certainly help preserve culture, save nuclear annihilation.

But the battle between paper books and ebooks isn't a zero sum game, even though we tend to imagine technological progress as an endless war between mediums that can only have one victor. In reality, it's more like a stew in which each ingredient is being constantly, subtly redefined by the others. 

Paper books and ebooks are each distinct modes of technology, with distinct strengths and weaknesses. They can co-exist in harmony and almost certainly will forever. And rest assured that if they don't, some punk ass blogger will take great pleasure in telling me how wrong I am. Stupid punk ass bloggers.

*Remember all those firewire hard drives you bought that are now sitting in a drawer somewhere like a time capsule from 2002?